Verwendete Literatur zum Artikel: Chinesische Qin-Musik: Transkription und Verständnis Aalst, J.A. van         Chinese Music         Paragon Book Reprint Corp. N.Y., Neudruck 1964 (Shanghai 1884) Amiot, J.M.         Mémoire sur la musique des chinois         Minkoff Reprint – Genève 1973 Cha Fu-hsi         The Chinese Lute         Chinese Literatur 3: 128-135, Mar 1960 Craig, Dale A.         Whither Chinese Traditional Music?         The World of Music, Vol XV, No.4, Mainz 1973 Daniélou, Alain         Introduction to the Study of Musical Scales         London 1943 Gulik, R.H. van         The Lore of the Chinese Lute, An Essay in Ch’in Ideology         Tokyo 1940, Neudruck 1969         Hsi K’ang and his Poetical Essay on the Lute         Tokyo 1940, Neudruck 1969 Kaufmann, W.         Musical Notation of the Orient, Kapitel: Zither Tablatures         Bloomington, Indiana Univ. Press 1967         Musical References in the Chinese Classics         Detroit 1976 Kornfeld, F.         Die tonale Struktur chinesischer Musik         Wien 1955 Kuo Shih-wu         A ceramic Lute of the Sung Dynasty         China I1. 11(5): 218-221, Nov. 1929 Kutterer, F.A.         Die verborgenen Beziehungen zwischen Sprache un Musik. Dargestellt am Beispiel Chinas.         Musica 5(1): 13-16, 1951         Accoustical Skills and Techniques in Ancient China         Technology and Culture (1969 in press, ?) Lübke, A.         Der Himmel der Chinesen         Leipzig 1931, , p.126ff: Astronomie und chinesische Musik Laade, W.         Die Zither, der Phöenix und der Wu-T’ung-Baum         Vorlesungsskript Laloy, L.         La musique chinoise         Paris (?, alt) Levis, J.H.         Chinese Musical Art         Shanghai 1936 Liang, D.M.-Y.         The Chinese Ch’in, its History and Music         San Francisco 1972 Liang, T.P.         Chinese Musical Instruments and Pictures         Chinese Classical Music Association 1970 Lieberman, F.         Chinese Music, an annotated Bibliography         New York 1970 Lui Tsun-yuen         A Short Guide to Ch’in         Selected Reports 1(2): 180-204, 1968         [Ch’in Technics of the Right Hand         Selected Reports 1(1): 83-88, 1966 darin enthalten] Malm         Music Cultures of the Pacific, The near East and Asia         China p.144-175 Moser, H.J.         Die kosmischen und menschlichen Gestaltungskräfte der Musik         Universitas 6(7): 1297-1304, Berlin 1951 Nott, S.Ch.         Chinese Jade, p.113-165         A Review of its Characteristics, Decoration, Folklore and Symbolism.         Tokyo Pian, R.Ch.         Sonq Dynasty Musical Sources and Their Interpretation         Harvard Univ. Press, Cambridge Mass. 1967(69) Pischner, H.         Musik in China         Berlin 1955, p.12-37 Reinhard, K.         Chinesische Musik         Eisenach und Kassel 1956         Einführung in die Musikethnologie         Wolfenbüttel und Zürich 1968 Richard, T.         Chinese Music         Shanghai 1907 (1898) Sachs, C.         The Rise of Music in the Ancient World         New York 1943 Soulié de Morant, G.         Théatre et Musique en Chine         Paris, 1926 Stevens, D. + Robertson, A.         The Pelican History of Music, Vol. I         Ancient forms of Polyphony Trefzger, H.         Über das K’in, seine Geschichte, seine Technik, seine Notation und seine Philosophie.         Schweiz. Musikzeitung 88 (3): 81-87, 1948         Über die chinesischen Notenschriften         Universitas 6 (7): 753-761, 1951 Wang, Guang Ki         Über die chinesischen Notenschriften         Sinica 3: 110-124, 1928 Wang, S. + Wang Ti         A 2000-Year-Old Melody         China Reconstructs 6 (3): 18-21, March 1957         Deutsch: Musik und Geschichte. 7(8), August 1957 Wiant, B.         The Music of China         The Chinese University of Hong Kong 1965 Yang, Yin-liu         Erste Untersuchungen zum "Dreistrophenlied von Yang-guan"         Beiträge zur Musikwissenschaft 2: 128-137, 1960 (?) Yuan-Ching, Li         Chinese Musical Instruments         China Reconstructs Vol. III, No.2, 1954